The Royal Academy of Arts and a Beau for Georgiana, by Corrie Garrett

The Royal Academy of Arts and a Beau for Georgiana, by Corrie Garrett

From your Regency readings, you may be familiar with Somerset House and the Summer Exhibition, a lavish and popular yearly art show. A catalog (and therefore entry) could be had for a shilling, and everyone who’s anyone in London would have gone to see the exhibition at some point!

While I haven’t used it as a location yet, I have used the Royal Academy of Arts, which was the group who put on the art show. (The original Somerset House was where Queen Charlotte was supposed to live if George III died before her. Instead, she was vested with Buckingham House, and they gave the new North Wing to the Royal Academy of Arts.)

Courtauld Gallery, Somerset House

 

Courtauld Gallery Staircase

Anyway, it was an art exhibition to which anyone could submit a painting. In fact, the founding group of the Royal Academy of Arts included two women, Angelica Kauffman and Mary Moser! Which is pretty cool.

Self-portrait, J.M.W. Turner

However, more to the point for my story purposes, not everyone who joined the Academy and received the honor of displaying work in the Summer Exhibition was aristocratic. Joseph Mallord William Turner (abbreviated J.M.W. Turner) is a great example. (In fact, it was a post here on Austen Authors that introduced me to him when I was researching my last series!) Turner was from a middle class family in Covent Gardens, burdened with a Cockney accent but remarkable talent. He was admitted to the Academy when he was fourteen, and displayed his first work at Somerset at fifteen!

I practically rubbed my hands together and cackled like a villain. What’s this I see before me? A middle/lower-class man who gained success and (could have) interacted with the highest families through his skill with painting and portraiture? Yes, please! (William Turner even received a snuff box from the King Louis Phillipe I!) I wanted to put Darcy through the wringer with Georgiana’s romance, and this fit the bill perfectly. Acclaimed painters were received everywhere, particularly portraitists… but at the same time, they definitely weren’t members of the “Upper Ten Thousand.” How would Darcy handle it if Georgiana fell in love with a such an “accepted outsider?”

I only used the barest idea of J.M.W. Turner for my story (and his last name, since it is fairly common), but his actual life story is also quite interesting. After his mother went to a mental institution, he was sent to live with a maternal uncle (rather like Fanny Price), and it was there that he was able to make his first forays into painting. His father would proudly display his son’s sketches in his barber shop window.

Eruption of Vesuvius, J.M.W. Turner
Venice, J.M.W. Turner

 

Eventually he traveled and gained more acclaim, particularly for his seascapes and other dramatic paintings. A huge volcano erupted in Indonesia in 1815 (making 1816 the “Year with No Summer”) and Turner painted the incredible sunsets caused by the ash in the upper atmosphere. He witnessed the burning of Parliament in 1834 and made watercolors of it. Turner’s experiments with color and light would become precursors of impressionist and abstract painting.

Although he grew reclusive in later life, he did (re?)gain a close relationship with his father, and lived with him for 30 years until his father’s death.

So with that as background, here is a short excerpt from A Lively Companion, when Georgiana and Lizzy meet a young, up-and-coming painter…


Lizzy watched the little boy, in his ruffled shirt and small jacket, squirm upon the picturesque lounge. The painter seemed inured to that sort of thing, and also to being discussed as if he were not present.

“My mother’s portrait was done by Sir Thomas Lawrence,” Anne told them proudly.

Lady Catherine was just returning to them with her friend Mrs. Winkleigh. “Indeed, it was. Unfortunately Sir Thomas is off painting generals and such on the continent now. It would have been as well for him if he had stayed; I should have strongly counseled him to stay. I must have Anne’s portrait taken soon.”

Mrs. Winkleigh performed the introduction to the painter while his subject took a break for refreshment.

Mr. John Wesley Turner was a youngish man, not very tall or handsome, Lizzy thought, but with an intelligent, good-humored look to his eyes and forehead. He showed his smudged hands and apologized for being unable to properly greet them. He joked with Mrs. Winkleigh about painting her son on a stallion someday and was “deeply honored” to be considered by Lady Catherine and so on.

As they were leaving, he asked Miss Darcy whether she was satisfied with the expression and shadows of the child’s face.

“Oh, yes,” Miss Darcy said, “I’ve attempted my cousin’s children and never captured so much character. Not that I mean to compare… You are a professional…”

He smiled quizzically. “You look rather familiar to me, Miss Darcy. I’ve never painted you before; I think I would remember that, but perhaps we’ve met?”

Georgiana paled. “You are, perhaps, thinking of Miss Climping’s School for Girls in Bath. I believe we met in passing there.”

“Of course!” he said. “The arts mistress is my aunt. She had me judge some of the schoolgirls’ pieces or some such thing before the summer term. I believe you won.”

“You must have an uncommonly good memory,” Miss Darcy said. “Only a week’s visit for you, I believe.”

He laughed. “I’m afraid I don’t remember your artwork, except that it was clearly superior to the rest and made my decision quite easy.”


That’s it for now!

So, do you enjoy these kinds of dramatic, impressionistic paintings? Or do you prefer more realistic?

Thanks for reading!

Corrie

 

 

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9 COMMENTS
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darcybennett
September 16, 2020 6:13 PM

I prefer impressionist. Thanks for the excerpt!

J. W. Garrett
J. W. Garrett
September 3, 2020 11:29 AM

What an adorable excerpt. I can’t wait to read it. I have it in that TBR pile of mine. Life issues have slowed down my reading speed this year. But I do have it. Now I have an excerpt that will help me send in the dogs to retrieve it. Blessings on its success. Stay safe and healthy.

cindie snyder
cindie snyder
September 3, 2020 9:23 AM

I really liked the excerpt! What a unique idea!

Regina Jeffers
Admin
September 3, 2020 8:48 AM

I loved the excerpt — such a creative plot device, one I have not seen previously, at least, not in this manner.
I must tell you when I saw your post listed on the dashboard, I freaked out for a moment. My post on Monday is also on famous artists of the time, but mine deals with real-life artists whose names appear in Austen stories.

Riana Everly
AuAu
September 3, 2020 8:46 AM

I love these glimpses into the lives of “ordinary” people who, through incredible talent or sheer hard work, made it big. I also often wonder about the interactions between the first circles and these self-made men. Great post, and lovely excerpt.

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